年少的克里斯在战场上失去了他的右手。几经消沉的他认清现实后，决心靠一只手臂生存下去，并成为了一个精通各种求生战斗技能的“佣兵”。一次任务，克里斯小队遭到了毁灭性打击，山穷水尽的克里斯带着无尽的遗憾坠入了冰冷的河水，可迎接他的不是死亡，而是....重生。这一次他能逆转人生走上巅峰吗！

来自印度北方小镇的苏丹 （萨尔曼·汗饰）对摔角教练的女儿 （安努舒卡·莎玛饰）一见钟情，为了追求心仪的女孩，从未接触过摔跤的苏丹不仅从头开始学，而且在短时间内就获得了地方冠军，展现了他的决心和天分。娶得美人归的苏丹还和妻子一起代表印度参加奥运，但就在苏丹获得奥运金牌的同时，他却因为骄傲自大而失去了挚爱的家庭，最后事业爱情双失落的苏丹明白唯一能赢回妻子芳心的办法，就是再次夺回属于他的舞台 。

来自印度北方小镇的苏丹遇见了摔角教练的女儿，苏丹为了心仪女孩，不仅开始学起摔角，在短时间内就获得地方冠军，展现了他的决心和天分。他不但娶得美人归，还和妻子一起代表印度参加奥运，但就在苏丹获得奥运金牌的同时，他却因为骄傲自大而失去了挚爱的家庭，唯一能赢回妻子芳心的办法，就是站回属于他的舞台。

来自印度北方小镇的苏丹遇见了摔角教练的女儿,苏丹为了心仪女孩,不仅开始学起摔角,在短时间内就获得地方冠军,展现了他的决心和天分。他不但娶得美人归,还…

Il n'est pas question des fastes de Byzance mais de la prise de la ville par le sultan (1451-1453) et de son pillage. De lents travellings sur les ruines de la citadelle et ses remparts racontent cette perte et ce basculement de l'Orient gréco-latin à l'Orient musulman (la cathédrale Sainte-Sophie transformée en mosquée).

不是费里尼的荒诞遐想，亦非芭比的粉红国度；这个女儿国，是孟加拉国思想家萝琪雅侯赛因在二十世纪之初于《苏丹娜之梦》一书想像的女性主义乌托邦：男人构成威胁，就把他们留在家中，让女人可在外自由发展。古书令导演伊莎贝夏基拉心向往之，化身笔下东来印度的西班牙少女，一趟神游梦幻国度之旅，探索女性社会地位、两性关系角力，以及由古至今男女不平等问题。墨染、水彩糅合传统曼海蒂彩绘图案，以魔幻写实的感性笔触，绘出女性独立自主的空间。

不是费里尼的荒诞遐想，亦非芭比的粉红国度；这个女儿国，是孟加拉国思想家萝琪雅侯赛因在二十世纪之初于《苏丹娜之梦》一书想像的女性主义乌托邦：男人构成威胁，就把他们留在家中，让女人可在外自由发展。古书令导演伊莎贝夏基拉心向往之，化身笔下东来印度的西班牙少女，一趟神游梦幻国度之旅，探索女性社会地位、两性关系角力，以及由古至今男女不平等问题。墨染、水彩糅合传统曼海蒂彩绘图案，以魔幻写实的感性笔触，绘出女性独立自主的空间。

Shajane, Maha, Muzamil, Rufaida, Khattab. They are Sudanese in their twenties, politically active and artistically creative. This film is a cinematic chorus, the collective portrait of a generation fighting for freedom with their words, poems and chants. Faced with a corrupted army responsible for war crimes in Darfur, Kordofan and Blue Nile, they could have lost heart before starting. Without the dream guiding them, the power of imagination and the might of poetic discourse, they would not have overthrown the former regime. I’ve been following them since I met them at the revolutionary sit-in that lasted 57 days around the Army headquarters in Khartoum. After they survived the 3rd of June 2019 massacre—when the army attacked the sit-in, killing hundreds of people in a few hours, 　　while resisting the military coup of October 2021, until the war started, causing death and destruction everywhere, forcing everyone to take the roads of exile.

Shajane, Maha, Muzamil, Rufaida, Khattab. They are Sudanese in their twenties, politically active and artistically creative. This film is a cinematic chorus, the collective portrait of a generation fighting for freedom with their words, poems and chants. Faced with a corrupted army responsible for war crimes in Darfur, Kordofan and Blue Nile, they could have lost heart before starting. Without the dream guiding them, the power of imagination and the might of poetic discourse, they would not have overthrown the former regime. I’ve been following them since I met them at the revolutionary sit-in that lasted 57 days around the Army headquarters in Khartoum. After they survived the 3rd of June 2019 massacre—when the army attacked the sit-in, killing hundreds of people in a few hours, 　　while resisting the military coup of October 2021, until the war started, causing death and destruction everywhere, forcing everyone to take the roads of exile.